Antonia Qianyi Zhang
-
antoniazhang.com -
antoniazhang.com -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
AntnoniaEastwaterZhang2011[Mask.the Persona] -
the colour and fabrication board -
design page -
the outfit 3 -
the line up -
[Two Half, Half ONE 2010] -
[Two Half, Half ONE 2010] -
[Two Half, Half ONE 2010] -
[Two Half, Half ONE 2010] -
[Two Half, Half ONE 2010] -
[Two Half, Half ONE 2010] -
the illustration -
AntoniaZhang A/W 2010
Antonia Zhang’s 2010A/W collection provides an opportunity to challenge prevalent aesthetic attitude, as she believes attitude defines flaw or signature of physicality.
Inspired by Hans Bellmer’s artwork and Japanese ball-jointed dolls, Zhang’s creative ideas based on vary physical proportion and exhibit distinct physical characteristics.
An attempt to mould the shape of the female ball-jointed doll, the sharp edges was cured of hips, shoulders and bust but they were, at the same time exaggerated. Designer used asymmetrical or informal balance to achieve a more exciting, dramatic effect. Also for fabrication, Antonia used canvas and wool as well as mohair against cotton jersey and stretch netting to produce contract.
antoniazhang.com