Christina - Elaine Hamilton
I choose to use Saddlery as the bases of my design and technical process as I am a trained saddler and felt there is so much more that can be done with the techniques used in the Saddlery and harness making. The bags are all made up by different technques that come together to make saddles i adapted the skills to make accessories.
The reason why I choose to keep the artefacts resembling saddles, was for the over all concept of the “Displacement of the Saddle” the displacement of the saddle has a number of meanings:
- Displacement. –From saddlery as function and craft to artefact.
- Saddlery, which has beautiful form and function with equisetic craftsmanship to a fashion artefact. A fashion artefact that acknowledges saddlery traditions of being Aesthetic pleasing but perform its function.
- The idea of Displacement and a repositioning of saddlery was also part of the design process where 2d flat images of the saddle and their component parts were displaced and reorganised to create the artefact.
- The bicycle also displaced the horse, and hence the fashion artefact displaces the saddle.
- I propose that in today’s society the bicycle has replaced the horse.
- Automotive transport is also being replace and people are returning to the bicycle, as the cost of petrol continually increases and commuters choose bicycles to travel around London
Much as the traveller of the past needed a good saddle, today's commuter needs to transport their belonging but then be able to walk into the boardroom in style with possessions that reflect their status.
The development of the idea came from researching saddlebags and accessories that attach onto the horse. I then started to think of the new ways that people carry bags and now they travel. I came to the conclusion that the collection should be able to be fitted on to the bicycle and be used off the bicycles.
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